The rights desk
Four different uses. Four different permission questions. This guide is UK-oriented, with international rights flagged separately.
01 /Online streaming
Access to a recording doesn't imply the right to upload, embed or stream it to the public. Check the licence for the exact file, any restrictions and third-party elements; preserve attribution. Soundtrack and music rights may be separate.
Wikimedia reuse guidance ↗02 /Public film screenings
UK government guidance says public screenings usually require the copyright owner’s permission, even without ticket sales. Local authority licensing may also apply, subject to exemptions.
GOV.UK: showing films publicly ↗
Licensing and exemptions ↗03 /Public music use
Playing recorded or live music in public normally requires a licence, often TheMusicLicence from PPL PRS. Music compositions, lyrics, recordings and performances can have separate rights. Don't assume a venue licence clears every use.
GOV.UK: music licences ↗
PPL PRS ↗04 /New adaptations
Turning a film, book or music piece into a new comic, film, radio show or podcast is a different use from screening the original. Check story, script, illustration, composition, recording, performance and remake rights as appropriate.
GOV.UK: using copyrighted work ↗
Understand Creative Commons ↗ Before declaring an event ready
Contact the film distributor or other authorised rightsholder, verify the exact screening rights, check the local authority’s requirements, get venue consent, check BBFC or applicable age classification, confirm any PPL/PRS or other music rights, and retain evidence. For commercial projects or uncertain international permissions, get qualified legal advice. This prototype does not issue or verify licences.